From Idea to Archive
My creative process often begins with a spark: a conversation, an image, a flavor, or even silence. Inspiration can strike anywhere, and to avoid losing it, I capture it immediately—whether in a digital or paper notebook. A quick sketch is sometimes enough to anchor the idea before letting it mature.
Once the idea takes shape, I start with research to better understand the subject, then redraw, explore, and combine it with other visual or textual elements. I begin with pencil, using an almost architectural approach: I structure the composition geometrically, refining the lines until the drawing feels complete. The pencil marks are then softened with a kneaded eraser, and I finalize the illustration with fine and calligraphic markers.
This phase can last several days, depending on the time I can dedicate to it. Once the drawing is finished, I digitize it to create a vector version, which I add to my archive.
From Archive to Print
To create a print, I start a new digital project by combining elements from my archive. If the initial idea was already clear, I develop it further; otherwise, I experiment until I achieve a composition that convinces me. I also select the colors at this stage, balancing visibility, perception, and technical feasibility.
Once the project is finalized, I prepare the necessary files for screen printing—one per color—including alignment and cutting marks if needed.
Printing: A Meditative Ritual
Screen printing is a distinct phase. Though the process is always the same, it remains deeply personal. Once mastered, it allows me to work almost mechanically while staying fully aware of each gesture. The contact with materials—their textures, temperatures, resistances—and the constant movement around the studio command my full attention. It’s meditation in motion.
This is not a passive experience. Following a rigorous procedure turns the moment into a ritual. The first print, even if it’s just the first color, always brings deep satisfaction, mixed with the tension of meeting the print run’s goal. Each successful pass is a relief and a source of encouragement, and these emotions build until the final print.
Of course, there are surprises, mistakes, and imperfections. Sometimes frustration builds, especially when everything is done by hand. I’ve learned to accept these challenges, to see them as part of the process, and to know when to stop if I’m not in the right state to work properly. These difficulties have taught me patience and resilience.